Rachel Tucker recently returned from Broadway where she created the role of Meg Dawson in Sting’s new musical The Last Ship.
Directed by Joe Mantello, the show ran in New York at the Neil Simon Theatre for four months following an out-of-town tryout in Chicago. During the run Rachel starred opposite Sting when he joined the cast in an attempt to boost ticket sales.
Rachel is currently preparing to return to the St James Theatre with her new solo concert show Back From Broadway for two performances only on Sunday 19th April.
She has also been cast in Lindsay Posner's revival of Communicating Doors by Alan Ayckbourn which begins performances at the Menier Chocolate Factory on 7th May.
Rachel was a semi-finalist on I’d Do Anything, Andrew Lloyd Webber’s television search for an actress to play Nancy in a West End revival of Oliver. After leaving the competition Rachel joined the West End production of We Will Rock You, starring as Meat and understudying Scaramouche.
Next Rachel joined the West End production of Wicked as Elphaba. She starred in the iconic role for nearly three years and over 1,000 performances, making her the West End’s longest serving Elphaba. In 2012 Rachel won the West End Frame Award for Best Performance of a Song in a Musical for her performance of the show's anthem, ‘Defying Gravity’.
Rachel left Wicked in October 2012 and released her debut album The Reason, playing sell out concerts at the St James Studio and Theatre. Rachel played Meg Giry in the workshop of Love Never Dies and received a TMA Theatre Award Nomination for Best Performance in a Musical for her portrayal of Dorothy in The Wizard of Oz (Lyric Theatre, Belfast).
Her other theatre credits include: Ida in Farragut North (Southwark Playhouse), Mary in Tonight's The Night (national tour), Maureen Johnson in Rent (Olympia Theatre, Dublin), Sally Simpson in The Who's Tommy (national tour), Estelle Genovese in The Full Monty (national tour), Grace Power in To Be Sure, Kelly in Merry Christmas Betty Ford and Amy in Have A Nice Life (Lyric Theatre, Belfast).
Yesterday I caught up with Rachel about her return to London. We discussed her upcoming concerts, what drew her to Communicating Doors, the closure of The Last Ship and how she found New York life plus much, much more…
A lot has happened since the last time we spoke! You’re back from Broadway and about to do some more concerts at the St James Theatre. The last one was incredible – what have you got up your sleeve this time round?
[laughs] Well… you know what… I feel like I set the bar quite high with that last concert! I’ll be honest with you, I am a bit worried about people’s expectations – will it be as good or not? I was worried I wouldn’t be able to come up with enough ideas of different things to sing and people to sing with and so on. But Andrew, it’s just happened again naturally. I stopped worrying about what I did in the past and have tried to concentrate on what else I would love to do. I had to remind myself that it’s a great opportunity to sing and act the stuff that I have never done but always wanted to do! It really is exciting for me! But obviously I’m not going to tell you all my secrets [laughs], I want to keep it all a nice surprise for everyone! I always like to have fun at my gigs, there may be one or two special guests…