Edward Bennett is currently playing Francis Crick in the UK premiere of Photograph 51 directed by Michael Grandage at the Noel Coward Theatre.
The show, which officially opens tonight (13th September), sees Nicole Kidman return to the London stage in the role of Rosalind Franklin, the woman who cracked DNA. Anna Ziegler’s piece asks what is sacrificed in the pursuit of science, love and a place in history.
Edward most recently starred in Orson’s Shadow at the Southwark Playhouse. Just a few of his extensive theatre credits include: Love’s Labour’s Lost, Love’s Labour’s Won & Hamlet (all RSC), Things We Do For Love, School For Scandal, In The Next Room, Pygmalion, Little Nell, Habeas Corpus & Measure for Measure (all Theatre Royal Bath), One Man, Two Guvnors (UK Tour), Lovesong (Frantic Assembly), 3 Farces, Nan, Skin Game & Diana of Dobsons (all Orange Tree Theatre), Plenty (Sheffield Crucible), Hay Fever (Chichester) and Othello (Donmar Warehouse).
His screen work includes: Miranda, The Scum Also Rises, Above Suspicion, After You’ve Gone, Skyfall, War Horse, Hamlet and Friends Just United.
I recently spoke to Edward about why Photograph 51 is such a fascinating play, what the atmosphere is like in Michael Grandage’s rehearsal room and the buzz surrounding Nicole Kidman’s West End return…
What were your first impressions when you read the script of Photograph 51?
My first impression was that it is a fascinating play about something that I, like many other people, knew only a little bit about. I knew a bit about the discovery of DNA and how it works, but I found out so much more by reading the script. What makes the play so beautiful is that you also find out so much about the people who were involved – artistically you find out what happened to them and learn about the politics in the race to find it.