Jennifer DiNoia is currently dazzling audiences as Elphaba in the West End production of Wicked at the Apollo Victoria Theatre.
The American performer originally joined the Chicago production of Wicked as a swing. She eventually became an understudy for Elphaba before taking over as standby Elphaba. Jennifer then transferred to the Broadway production of Wicked as standby Elphaba for two and a half years.
Next she joined the Australian and Korean productions of Wicked before taking over as lead Elphaba in the musical’s second U.S. tour. Jennifer briefly returned to the Broadway production earlier this year before joining the London company as lead Elphaba. She is set to play the iconic role in London until Saturday 31st January 2015.
One of the kindest and most inspiring performers I have ever had the pleasure of interviewing, Jennifer’s other theatre credits include: understudy Scaramouche in the U.S. premiere of We Will Rock You (Las Vegas, NV) and understudy Ali in Mamma Mia! (1st U.S. Tour). Wicked is now the 10th longest-running show in the West End. Around the world Stephen Schwartz and Winnie Holzman's musical has been seen by over 42 million people in 13 countries.
Earlier this week I visited Jennifer backstage in her dressing room where we discussed what makes Wicked different in London, her new way of pronouncing defying gravity and how she survives an eight show week. Jennifer and I also discussed which Elphabas she has learnt from, what she has discovered about London and her inspiring story to green stardom…
You’re into your third week now in London. How’s it going? Are you feeling settled in?
It’s starting to feel normal… well as normal as you can feel when playing Elphaba. I’m starting to feel at home because I’m settled into my apartment, I’m settled into the theatre and I know everybody’s names a little bit better now. When you’re the new girl it’s hard to remember everybody’s names [laughs]!
How does London compare to the other productions of Wicked that you’ve worked on? Is there a different feel to it?
It is different, for sure. I was on the road for a full year with the show and we were in a different theatre every three weeks so I’m kind of used to having to deal with the change. I’ve also been in a couple of other companies so I feel I’m quite adaptable which is probably why they sent me out here.