Having joined the show prior to its 25th anniversary celebrations, Layla Harrison is currently preparing to bid farewell to The Phantom of the Opera at Her Majesty’s Theatre.
As well as appearing in the ensemble, Layla understudies the role of Meg for which she finished as the second runner-up in West End Frame’s 2014 Understudy of the Year Award.
Layla’s theatre credits include: The Ragged Child (UK Tour/New York/Canada) and the National Youth Music Theatre’s production of Oliver! (Edinburgh Fringe).
Her dance work includes: her professional debut as Young Aurora in Sleeping Beauty (Kirov Ballet Company), Cinderella (Royal Ballet Company), Fireworks (Ballet Ireland UK and Ireland tour), dancing with Adam Cooper and Oxana Panchenko in Peter Darrell’s Jeux (gala), Swan Lake, Sleeping Beauty, Nutcracker, Giselle and Romeo and Juliet (English National Ballet Company), Sleeping Beauty, Carmen, Cheating Lying Stealing, Pennies from Heaven, Rubies, In Light and Shadow, The Nutcracker, Spring Season Fairy in Cinderella and Dormouse in Alice (Scottish Ballet Company) and working with Will Tuckett on a performance at Buckingham Palace for Prince Charles (Royal Opera House and Van Cleef & Arpels collaboration).
On screen Layla has appeared in: Poirot: The Dumb Witness, The South Bank Show, Blue Peter, Ballet Russes, Filth & Wisdom, Margot and 3D feature film Streetdance. She has also worked extensively as a teacher having established Dunsford Performing Arts.
Layla chats to West End Frame about why leaving Phantom is going to be emotional, what it was like to work so closely with Gillian Lynne on the show’s 25th anniversary and what other shows she’s itching to do…
Can you believe that your time in Phantom has almost come to an end?
Not at all! So much has happened in the four years I've been there, yet it feels like it's flown by too.
What are you going to miss most about the show?
I have some really special friends at the theatre, from different departments, who I will miss seeing every day. Of course I will make sure I see them plenty, but it's never the same as when you work with someone every day. The production itself is so special and I've always been so proud to be a part of it and will miss the feeling of belonging to it. The curtain call is another novelty that never wears off. There's a lot I will miss.