Showing posts with label Nathan Amzi. Show all posts
Showing posts with label Nathan Amzi. Show all posts

Monday, 23 November 2015

Nathan Amzi returning to In The Heights

Nathan Amzi is returning to In The Heights for a limited two-week run.

Amzi will reprise his performance as Piragua Guy, performing in place of Vas Constanti, from Monday 21st December 2015 to Sunday 3rd January 2016. 

Amzi originated the role in the London production which premiered at the Southwark Playhouse in 2014. 

In The Heights recently extended its run at King’s Cross Theatre for a second time, now booking for an additional 3 months until Sunday 10th April 2016.

Wednesday, 23 September 2015

Review: Dinner with Saddam at the Menier Chocolate Factory



Dinner with Saddam
Menier Chocolate Factory
Reviewed on Tuesday 22nd September 2015
★★★

In Anthony Horowitz's new play Dinner with Saddam the Alawai family receive the surprise of a lifetime when they are informed that Saddam Hussein is coming round for dinner. The concept sounds absolutely ridiculous, but Horowitz's play is based on truth - Saddam Hussein would sometimes drop into the homes of 'normal' people for dinner. Dinner with Saddam is a political comedy with some dark layers to be shed.

Monday, 13 July 2015

Dinner with Saddam to premiere at the Menier Chocolate Factory; casting announced

Anthony Horowitz's play Dinner with Saddam will receive its world premiere at the Menier Chocolate Factory this autumn.

Sanjeev Bhaskar (Goodness Gracious Me/Spamalot) leads the cast, starring alongside Nathan Amzi (Urinetown/In the Heights), Ilan Goodman (Bad Jews/Intimate Apparel) and Rebecca Grant (Seminar/Holby City). Further casting to be announced. 

Directed by Lindsay Posner, the production opens on 22nd September (previews from 10th September) and runs until 14th November 2015. Design is by Tim Shortall with lighting by Howard Harrison, sound by Gregory Clarke and music by Matthew Scott.

Wednesday, 21 May 2014

Photo Feature: Scott Alan plays four shows at the Hippodrome

Last week composer Scott Alan played four sold out shows at the Hippodrome. 

Stars of the West End, including Nathan Amzi, Jodie Jacobs, Danielle Hope, Luke Bayer, Katie Paine, Cynthia Erivo, Oliver Tompsett, Savannah Stevenson, Ian Stroughair, Dan Buckley, John Owen-Jones, David Ribi, Laura Pitt-Pulford, Stewart Clarke and Lucie Jones, took to the stage to perform Alan's incredible music.

Wednesday, 5 March 2014

Big Interview: Nathan Amzi (Part 1)

Nathan Amzi was recently seen competing on the current series of BBC1’s The Voice. He wowed the Kaiser Chiefs’ Ricky Wilson at his blind audition and went on to compete in the battle rounds, impressing the nation with an epic rendition of ‘The Power Of Love’ alongside Christina Marie, which was broadcast last weekend. Despite losing the battle, the performance has been described as the battle of the night with many bowled over by Nathan’s epic vocal talents.

Nathan was most recently in the original West End production of Rock Of Ages which premiered at the Shaftesbury Theatre before transferring to the Garrick. Prior to Rock Of Ages Nathan performed two seasons at Shakespeare's Globe in The Merry Wives of Windsor including touring to LA, New York and around the UK. 

His other theatre credits include: Eddie/Dr Scott in The Rocky Horror Show (West End/Tour), Wolf in Hansel & Gretel (Theatre Royal Stratford), Roy Rustin in Alan Ayckbourn’s A Small Family Business (Watford Palace) and Miss Saigon (UK Tour). Nathan is also a respected producer (Amzi Entertainment), recently producing Scott Alan’s acclaimed concert at The IndigO2. 

In part one of my interview with Nathan we discuss the huge response to his appearance on The Voice, the stereotype surrounding musical theatre performers on reality programmes and what was going through his head before, during and after that epic battle…

You have received such an overwhelming response following your time on The Voice, have you had a moment to take it all in yet?
No, it has been absolutely mental! On Saturday night I had something like 700 mentions on Twitter in one go – it crashes your phone [laughs]! Facebook went mental, but the thing that was nice for me was that the theatre audiences, who have stood by me through all the shows I’ve been in, were prolifically Tweeting – even WhatsOnStage said ‘@TheAmzi did the West End proud’, you wrote something and so did @WestEndProducer. It’s hard when you go on a show like The Voice because being in theatre can be a hindrance – people can think things like ‘if he was good in the West End he would still be there’.