Michelle Collins is currently starring in The Glass Supper by Martyn Hesford at the Hampstead Theatre Downstairs.
Michelle recently left Coronation Street after playing Stella Price for almost three years. She famously played Cindy Beale in Eastenders; Michelle was originally contracted for eleven episodes but ended up playing the role for ten years. She has also played leading roles in the BAFTA nominated Two Thousand Acres of Sky and Jaqueline Wilson's Emmy Award winning The Illustrated Mum.
The star’s theatre credits include: Rattle of a Simple Man (Comedy Theatre), Daddy Cool (Shaftesbury), Never Forget (UK Tour), Deception (Malvern Theatres), Calendar Girls (UK Tour), Vagina Monologues (Birmingham Hippodrome), Raving Beauties (Liverpool Playhouse), Have You Ever Fallen In Love (Apollo Theatre), Romeo and Juliet and The Demolition (both Bolton Octagon), On The Piste (Queens Theatre, Hornchurch), Reluctant Heroes (Nottingham Playhouse), Strictly Business (Nuffield Theatre), Burning Point (Tricycle) and The Play What I Wrote directed by Kenneth Branagh (Watford).
Just a few of Michelle’s television credits include: Casualty (BBC), Marple (ITV), Hotel Babylon (BBC), The Family Man (BBC), Rock Rivals (ITV), Sunburn (BBC), Real Women (BBC) and The Bill (Talkback Thames). Her film credits feature: Personal Services with Julie Walters, Stephen Poliakov's Hidden City and, most recently, Bollywood Brit flick Don't Stop Dreaming.
The Glass Supper is described as a “blistering, poetic, comic new drama about the search for love and sex in the modern world.” Marcus and Colin have escaped the madness of London to live in the peaceful countryside. But will this new idyllic reality soon be shattered when Steven, his beautiful young boyfriend, Jamie, and the enigmatic Wendy arrive unexpectedly for supper.
I recently spoke to Michelle about her theatre return, the bold themes and issues surrounding The Glass Supper, why her feet haven’t touched the ground since she left Coronation Street and what it’s like sharing a dressing room with her four male co-stars.
The Glass Supper is a very bold piece which represents characters and themes rarely seen in theatre. What was your initial reaction when it first came to your attention?
I know Martyn the writer so had first read this play a few years back. It had always stuck in my mind and then when I came back to London I saw his play Mrs Lowry and Son – which is completely different to this – and after I asked him, “What happened to that play?” He dug it out and we did a reading. What’s great about The Glass Supper is that everyone has this fluffy image and says “oh yes he’s gay” and “oo my best friend is gay,” we’re all so PC about everything aren’t we? But Martyn goes beyond that and I think tackles gay people as real people! All the characters in the play are damaged in some way.