Dirty Rotten Scoundrels
Savoy Theatre
Reviewed on Saturday 29th March 2014
Filling the gap left behind by Singin' In The Rain and Top Hat, Dirty Rotten Scoundrels feels like a timeless classic, despite only receiving its first run ten years ago. This is not only down to the warm humour and elegant style, but also as the entire show is so slick - it's as if Dirty Rotten Scoundrels has been running in the West End for years.
The production's director and choreographer, Jerry Mitchell must be commended. He insisted the show had a thorough tech period and two Broadway style out of town tryouts which has clearly benefited the production hugely as every detail is polished and fine-tuned.
The production's director and choreographer, Jerry Mitchell must be commended. He insisted the show had a thorough tech period and two Broadway style out of town tryouts which has clearly benefited the production hugely as every detail is polished and fine-tuned.
Set in the French Riviera, Dirty Rotten Scoundrels follows two conmen as they go head to head to pull off their biggest con, whilst fighting for the affections of millionaire soap heiress Christine Colgate.
Funnily enough, at times Dirty Rotten Scoundrels reminded me of Mitchell's most recent West End production, Legally Blonde (which I adored). Both shows are American but behold a British charm. Dirty Rotten Scoundrels works a treat with British audiences. Sadly I didn't see the show on Broadway, but I suspect Mitchell has injected British appeal into the show. He certainly deserves several awards for his terrific direction and divine choreography.
Stunt casting is becoming more and more common in the West End, but Dirty Rotten Scoundrels has cast a bunch of legendary, talented stars. Robert Lindsay (Lawrence Jameson) is just Robert Lindsay - he's a natural and it's so exciting to see him back on stage in a musical. He knows exactly when to hold back and doesn't truly let go until his final song 'Dirty Rotten Number' which is an utter delight.
The star of the show is Katherine Kingsley who is officially the West End's most versatile performer. She recently received Olivier nominations for her roles in Singin' In The Rain and A Midsummer Night's Dream, and I'm sure she'll receive another for her portrayal of Christine Colgate.
The highlight of the show is Kingsley's entrance number, 'Here I Am'. She steals the spotlight and makes quite an impression, bringing a whole new dynamic to proceedings. Her act two duet with Hound, 'Love is My Legs', provides another highlight. Kingsley's vocals are fierce and her comic timing is utterly perfect. Katherine Kingsley is the definition of a West End Star and I'm sure she'll continue to have her name in lights for years to come.
The highlight of the show is Kingsley's entrance number, 'Here I Am'. She steals the spotlight and makes quite an impression, bringing a whole new dynamic to proceedings. Her act two duet with Hound, 'Love is My Legs', provides another highlight. Kingsley's vocals are fierce and her comic timing is utterly perfect. Katherine Kingsley is the definition of a West End Star and I'm sure she'll continue to have her name in lights for years to come.
The ensemble are always on point and bursting with character. Peter McKintosh's design is astoundingly brilliant. The set is suitably lavish and changed without me even realising. The costumes colourfully reflect the cast's charm. David Yazbek's score is instantly catchy and has some very strong moments, although it is missing an extra big, defining number to take it up to the next level. 'Here I Am' sets the bar high with no other song coming close.
Dirty Rotten Scoundrels marks the first show from Jerry Mitchell Productions, and I sincerely hope it is the first of many! With Mitchell back in London we are certainly in safe hands. Dirty Rotten Scoundrels is a very safe option; it has something for everyone, providing exhilarating escapism.
Reviewed by Andrew Tomlins (Editor)
andrew@westendframe.com
Reviewed by Andrew Tomlins (Editor)
andrew@westendframe.com
Dirty Rotten Scoundrels is currently booking at the Savoy Theatre until Saturday 29th November 2014. Click here to book tickets.
Read our interviews with Robert Lindsay & Rufus Hound, Jerry Mitchell & Katherine Kingsley and Samantha Bond & John Marquez
Photo Credit: Johan Persson
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