Harriet Thorpe is currently starring in the National Theatre’s production of Great Britain by Richard Bean.
Following a successful premiere at the National’s Lyttelton Theatre, the play has transferred to the Theatre Royal Haymarket in London's West End. Hot on the heels of the phone hacking scandal, Great Britain is described as an “anarchic and foul-mouthed satire about the press, the police and the political establishment".
Harriet was most recently seen reprising her performance of Madame Morrible in the West End production of Wicked (Apollo Victoria). Her musical theatre roles also include: Frauline Kost in Cabaret (Lyric/Savoy/UK Tour), Lottie Child/Patricia Fodor in Crazy For You (Novello/Open Air Theatre), Tanya in Mamma Mia (Prince Of Wales), Mrs Lovett in Sweeney Todd (National Tour) and Madame Thernadier in Les Miserables (Palace).
Just a few of her other countless theatre credits include: Twelfth Night, Cymbeline, Richard III and A Midsummer Night's Dream (all Open Air Theatre), Brighton Rock (Almeida), The Vagina Monologues (Arts), Streetcar To Tennessee (Young Vic), Jackie (Queens) and The Bassett Table (Bristol Old Vic/Tour/Tricycle). Previous work at the National includes: A Prayer For Owen Meany, All My Sons, The Government Inspector, Pravda, Futurists, Jacobowski & The Colonel and Longtime Gone.
On screen Harriet is best known for playing Fleur in Absolutely Fabulous, Carole in The Brittas Empire and, most recently, Lynn in The Secret. She has made numerous appearances in some of the UK’s most popular TV shows and films.
I recently spoke to Harriet about what makes Great Britain such a thrilling play and why it’s so exciting to be part of something brand new. We also discussed her remarkably varied career and what she used to get up to between performances during her time in Wicked…
You’ve been with Great Britain right from the beginning. What were the early stages like when it was all hush hush?
Well it’s interesting because when you’re in a play one doesn’t really discuss rehearsals anyway because if you are doing a Shakespeare, however thrilling it is for oneself, nobody is really interested in your rehearsals – so not talking about it was quite easy. People just knew I was doing a play, nobody really asked anything else!