Epsilon’s last production, “Skin Tight” at Park Theatre, was two years in the making and was the success we’d hoped it would be and more; so obviously when Jemma, Epsilon’s Artistic Director, and I sat down after the whirlwind subsided and said, “wouldn’t it be great to do a season of plays next year, back to back with cross casting, just like the old fashioned Rep” we of course thought this would be marvellous, and you know what, as hard work as it is, we weren’t wrong.
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| Angela Bull |
We spoke to our friends at Park Theatre again and pitched our idea to produce two plays, with a linking theme and to take residency for two months over the summer. Jez Bond, Park Theatre Artistic Director, loved the plays we suggested and booked us in.
The theme I spoke about that links both plays is bullying, both of the physical kind and the faceless intensity of cyber-bullying.
Hendrix in Chicken Shop is from lesbian parents and hideously bullied at school because of it, “If your mum is gay then clearly, you must be too”. Crystal Springs, however, follows an arc of many small seemingly trivial acts that end up in tragedy.
We had already started working on Anna Jordan’s play Chicken Shop for a scratch night towards the end of last year which was received with great enthusiasm. This is a heartbreaking story about the trials of growing up, the transition into adulthood, where it can lead and how it can shape the rest of your life. It also shows that when in adulthood, it’s not necessarily easier.