Wednesday, 18 December 2013

Review: Kiss Me Kate at Upstairs at the Gatehouse



Kiss Me Kate
Upstairs at the Gatehouse
Reviewed on Tuesday 17th December 2013


There is nothing worse than seeing an awful fringe show, but there is nothing better than discovering a world class production hidden away above a pub in Highgate. This Christmas Ovation have staged the fringe premiere of Kiss Me Kate which was last seen in London this time last year when Chichester's production of the musical transferred to the Old Vic. When this production was announced, having seen Chichester's brilliant staging, I wondered how such a huge musical could work in such a small theatre... but John Plew's production has blown me away.

Kiss Me Kate features a show-within-a-show and follows the action both on and off stage as divorcees Lilli (aka Kate, played by Sabrina Carter) and Fred (aka Petruchio, played by Gavin Keenan) star in a production of The Taming of the Shrew. Sparks fly off-stage and the pair seek revenge on-stage during scenes leading to Lilli quitting the show mid-performance. However, when two gangsters turn up (played by Dominic Quinn and Martin Steven Carlton) looking for Fred regarding an I.O.U, they soon realise it is in their interest for Lilli to stay... On paper the story appears confusing but on-stage it's very easy to follow, Kiss Me Kate is hilarious yet never becomes overly silly or farcical. 

Upstairs at the Gatehouse has a larger space than rival fringe theatres, the traverse staging means the performance space is quite long and thin which works perfectly for the production, particularly as the cast ensure both sides of the audience are treated equally. Cole Porter's score is a dream and features classic after classic. The cast may be small but when they belt out the big numbers I felt as if I was in the West End. The band are also terrific and received huge applause from the adoring audience, all of whom waited to listen to the final play-out.

Ryan-Lee Seager's choreography is bursting with Broadway glamour and takes the production to a whole new level. I have never seen such huge choreography performed in such a small space, yet no routine ever appeared squashed. The best number is the act two opener 'Too Darn Hot' which is led by Dean Bray (Paul). The number builds up gradually until the entire audience were completely transfixed. The cast’s execution of Seager's choreography could not be faulted and I was left feeling utterly exhausted.

Sabrina Carter gives the performance of a lifetime as Lilli, her portrayal is fierce yet sincere and utterly hysterical. She completely lets go and you can't help but fall in love with the character. Carter, who also tackles the huge score as if it’s a walk in the park, has fantastic chemistry with Gavin Keenan who has put his own spin on Fred. His overly camp, spontaneous performance left many open-mouthed and roaring with laugher; he grows with the show and comes into his own during the second act.

Having seen Chichester's production at the beginning of the year I can't help but compare the two shows which are very different but equally as perfect. It's refreshing to see so many of the characters interpreted completely differently as it would be boring to sit through the exact same show again. The only moment which I found a little disappointing was Carter's rendition of 'I Hate Men'. After watching Hannah Waddingham belt and scream her way through the number at the Old Vic I wondered if she was ever going to be able to speak again, let alone carry on with the show. Her performance was the highlight of the evening so I was a little underwhelmed by Ovation’s staging of the song. Obviously this is a minor detail, I just thought more could have been done with such a big number. 

As well as 'Too Darn Hot', other highlights came during act two with Dominic Quinn and Martin Steven Carlton's never-ending rendition of 'Brush Up Your Shakespeare' which, once again, showcases Seager's remarkable choreography, and Gavin Keenan's rendition of the 'So In Love' reprise. Keenan's characterisation builds and builds so it was nice to see him calm down and perform the number with sincerity.

Kiss Me Kate is known for being quite a long show but I didn't find one moment of this production dull or boring. If you're looking for a classy, high quality (and not overpriced) evening at the theatre you must make time to see this delightful production. 

Reviewed by Andrew Tomlins (Editor)

Kiss Me Kate runs at Upstairs at the Gatehouse until Sunday 26th January 2014.
Please visit www.upstairsatthegatehouse.com for further information and tickets.

Photo Credit: Darren Bell

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