West End legend Jodie Jacobs is currently starring in the world premiere of new British musical 27.
Written and co-directed by Sam Cassidy and co-directed by Arlene Phillips, 27 is playing a limited run at the Cockpit Theatre in Marylebone. The piece is a "shattering exploration of the fragility of life and the unwitting connections that bind us together".
Jodie’s West End credits include: Regina in Rock of Ages (Shaftesbury/Garrick), Serena in Fame (Aldwych), understudy Eva Peron in Evita (Adelphi), understudy Audrey in Little Shop of Horrors (Duke of York’s/Ambassadors), understudy Scaramouche & Meat in We Will Rock You (Dominion) and Joanne in Rent In Concert (Garrick).
Her further credits also include: Paulette in Legally Blonde (Upstairs at the Gatehouse/Kilworth House), Nancy in Oliver! (Grange Park Opera), Miss Gardner in Carrie (Southwark Playhouse), Grizabella in Cats (Arena Tour), Rusty in Footloose (UK tour), Jest End (Waterloo East/Jermyn Street), Holly in The Wedding Singer (UK tour), Tink in Lost Boy (Charing Cross), Nurse Fiona in Happy Ending (Arcola), Sister Mary Robert in Sister Act (Aberystwyth), Betty/Carmen in Me & Juliet (Finborough), Marcy Fitzwilliams in I Love You Because… (Landor), Emily in State Fair (Trafalgar Studios 2), Another Kind Of Magic (Scandinavia Tour) and Broadway and Beyond (Dubai).
Earlier this year Jodie performed An Evening with Jodie Jacobs to a sold out audience at the Chapel of St Barnabas, receiving rave reviews.
I recently sat down with Jodie – one of my absolute favourite interviewees of all time – for a chat about starring in 27, the experience of performing her solo show, what it was like to finally play Nancy and the early days of her career…
27 is a brand new musical – when did you first hear about it?
I met Sam (Cassidy) so many years ago – it was like 2007 and we hit it off straight away. I knew he had done a workshop recording of a musical he was working on, and when I heard it I was furious with him for not asking me to do it. I was furious! I said to him, “Oi, next time you do this I want in.”